Kathy Reichs, #1 New York Times bestselling author and producer of the FOX televison hit Bones, is at her brilliant best in a riveting novel featuring forensic anthropologist Tempe Brennan—a story of infanticide, murder, and corruption, set in the high-stakes, high-danger world of diamond mining.
A woman calling herself Amy Roberts checks into a Montreal hospital complaining of uncontrolled bleeding. Doctors see evidence of a recent birth, but before they can act, Roberts disappears. Dispatched to the address she gave at the hospital, police discover bloody towels outside in a Dumpster. Fearing the worst, they call Temperance Brennan to investigate.
In a run-down apartment Tempe makes a ghastly discovery: the decomposing bodies of three infants. According to the landlord, a woman named Alma Rogers lives there. Then a man shows up looking for Alva Rodriguez. Are Amy Roberts, Alma Rogers, and Alva Rodriguez the same person? Did she kill her own babies? And where is she now?
Heading up the investigation is Tempe’s old flame, homicide detective Andrew Ryan. His counterpart from the Royal Canadian Mounted Police is sergeant Ollie Hasty, who happens to have a little history with Tempe himself, which she regrets. This unlikely trio follows the woman’s trail, first to Edmonton and then to Yellowknife, a remote diamond-mining city deep in the Northwest Territories. What they find in Yellowknife is more sinister than they ever could have imagined.
Crackling with sexual tension, whip-smart dialogue, and the startling plot twists Reichs delivers so well, Bones Are Forever is the fifteenth thrilling novel in Reichs’s “cleverly plotted and expertly maintained series” (The New York Times Book Review). With the FOX series Bones in its eighth season and her popularity at its broadest ever, Kathy Reichs has reached new heights in suspenseful storytelling.<
"Reichs always delivers a pulse-pounding story."<
THE BABY’S EYES STARTLED ME. SO ROUND AND WHITE AND pulsing with movement.
Like the tiny mouth and nasal openings.
Ignoring the maggot masses, I inserted gloved fingers beneath the small torso and gently lifted one shoulder. The baby rose, chin and limbs tucked tight to its chest.
Flies scattered in a whine of protest.
My mind took in details. Delicate eyebrows, almost invisible on a face barely recognizable as human. Bloated belly. Translucent skin peeling from perfect little fingers. Green-brown liquid pooled below the head and buttocks.
The baby was inside a bathroom vanity, wedged between the vanity’s back wall and a rusty drainpipe looping down from above. It lay in a fetal curl, head twisted, chin jutting skyward.
It was a girl. Shiny green missiles ricocheted from her body and everything around it.
For a moment I could only stare.
The wiggly-white eyes stared back, as though puzzled by their owner’s hopeless predicament.
My thoughts roamed to the baby’s last moments. Had she died in the darkness of the womb, victim of some heartless double-helix twist? Struggling for life, pressed to her mother’s sobbing chest? Or cold and alone, deliberately abandoned and unable to make herself heard?
How long does it take for a newborn to give up life?
A torrent of images rushed my brain. Gasping mouth. Flailing limbs. Trembling hands.
Anger and sorrow knotted my gut.
Focus, Brennan!
Easing the miniature corpse back into place, I drew a deep breath. My knee popped as I straightened and yanked a spiral from my pack.
Facts. Focus on facts.
The vanity top held a bar of soap, a grimy plastic cup, a badly chipped ceramic toothbrush holder, and a dead roach. The medicine cabinet yielded an aspirin bottle containing two pills, cotton swabs, nasal spray, decongestant tablets, razor blades, and a package of corn-remover adhesive pads. Not a single prescription medication.
Warm air moving through the open window fluttered the toilet paper hanging beside the commode. My eyes shifted that way. A box of tissue sat on the tank. A slimy brown oval rimmed the bowl.
I swept my gaze left.
Lank fabric draped the peeling window frame, a floral print long gone gray. The view through the dirt-crusted screen consisted of a Petro-Canada station and the backside of a dépanneur.
Since I entered the apartment, my mind had been offering up the word “yellow.” The mud-spattered stucco on the building’s exterior? The dreary mustard paint on the inside stairwell? The dingy maize carpet?
Whatever. The old gray cells kept harping. Yellow.
I fanned my face with my notebook. Already my hair was damp.
It was nine A.M., Monday, June 4. I’d been awakened at seven by a call from Pierre LaManche, chief of the med
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